Cucusonic
[2019-2021]














I coordinate activities of Cucusonic, a collective of biological scientists, anthropologists and musicians that record and use bats’, birds’ and frogs’ sound signals to monitor biodiversity and to make music.

Working with Matthew Dear and Fer Isella, I produced ‘The Sound of Paradise’, the first single of Cucusonic, a self-titled album which also features artists like Brian Eno, Martyn Ware, Iggor Cavalera, Kate Simko and Mexican Institute of Sound and which was released with The Vinyl Factory.

The music album was inspired by the sounds and frequencies of the Colombian Neotropical forests, to raise awareness of their biodiversity to national and international audiences.

In Cucusonic we are interested in identifying how the multiple sonic registers of animal sound can be harnessed to bring different groups of people together to work towards a common purpose, which is the exploration of the transformative potential of biodiversity. I am currently acting as coordinator of this multidisciplinary network.

We explore how such signals can promote change in people to appreciate bats and frogs as living beings with extraordinary sonic capabilities, rather than simply seeing them as despised or dangerous animals.

The idea behind Cucusonic is to investigate the capacities of recording, sharing and listening to natural soundscapes to value more-than-human entanglements. We want people to acknowledge the interdependence and benefit humans receive from nature. For example, bats disperse seeds, pollinate plants and control pests.

Frogs and toads not only constitute a very significant level in the food chain as primary and secondary consumers (feeding on insects), but they also have an ecological function as a food source for higher trophic levels, because birds, snakes or lizards feed on other small vertebrates like frogs and toads.

This project is supported by the UK’s Global Challenges Research Fund, UK charity In Place of War and the Granada Centre for Visual Anthropology at the University of Manchester.

Kone Foundation also supports my work in Cucusonic, thanks to the artist residency at Saari Residence.

This project has been featured in Colombian colombian newspaper El Espectador, in the public engagement initiative (via Twitter) #ElDesparche, in BIME Pro Bogotá,  

I also talked about the project during the public lecture Cucosonic: soundscapes, music, frogs and bats, at the Instituto Tecnológico Metropolitano (ITM).